Bisset went to France to appear in François Truffaut's Day for Night (1973), earning the respect of European critics and moviegoers as a serious actress. She stayed in France to make Le Magnifique (1973) with Jean-Paul Belmondo, a hit in France but little seen in English-speaking countries. She was one of many stars in the British whodunnit Murder on the Orient Express (1974), an enormous success. In Britain, she starred in the remake of The Spiral Staircase (1975). Bisset went to Germany for End of the Game (1975), co-starring Jon Voight. In Italy, she played opposite Marcello Mastroianni in Luigi Comencini's The Sunday Woman (1975). She returned to Hollywood to support Charles Bronson in St. Ives (1976).[9]
In 2005, Bisset was seen in the Domino Harvey biographical film Domino with Keira Knightley, directed by Tony Scott, playing a fictionalised version of Paulene Stone (renamed "Sophie Wynn"), whom she actually knew from their time as models in London. She filmed a cameo appearance for Mr. & Mrs. Smith, but her performance was cut from the movie.[20] In 2006, Bisset had a recurring role on the FX series Nip/Tuck as the ruthless extortionist James LeBeau. Her next role was in Save the Last Dance 2 (2006) as the protagonist's ballet instructor. On Lifetime she appeared in an adaption of the Nora Roberts novel Carolina Moon (2007).
day for night 1973 movie torrent
The movie in the movie and the movie in the making were no longer innovations in the seventies: André Cayatte and Jacques Prévert had done it long before ,in the classic "les amants de Verone "(1948) , the stars's stands in had lived the same tragic story as Romeo and Juliet ; in 1952, in "la fête à Henriette " , Julien Duvivier had allowed himself to explode the genre ,and with a lot a humor at that.In the seventies ,this kind of movie became intellectual, self-conscious and boring: Soutter"s "repérages, Truffaut 's "la nuit américaine" ("day for night") and this movie belonged to that tradition ."Projection privée " conceals the paucity of its ideas behind a screenplay which blends real scenes, filmed scenes and the characters' states of mind .The story is downright derivative : a director, Denis,walked out on his mistress Marthe and married a younger woman ,Camille.The deserted woman committed suicide.Undaunted , several years after the tragedy , the director decides to transfer the story to the screen; but Camille is afraid that the story might repeat herself .The only convincing player in the whole movie is Françoise Fabian ;the others are wasted (Jane Birkin,Jacques Weber) , smug (Jean- Luc Bideau ) or indifferent (Bulle Ogier).There's a "I'll give you a ring and we'll meet up for a bite " flippant side ,between two conversations in which the characters contemplate their navels ; one never believes two of them experimented tragedy ,and if Camille feels remorse, it takes a lot of imagination to believe in her agonies of remorse when she sunbathes nonchalant by her private pool .Hence the preposterous scene in the hospital.
THE BOY WHO CRIED WEREWOLF (1973)"A young boy visits his father in a secluded cabin in the woods; the father is attacked by a werewolf and becomes one himself every full moon. However, the boy constantly tries to warn others, but no one will believe him."So many people hate on this movie and I can't fathom why: it has some of the most absurd scenarios and characters ever in a film and that alone makes it worth watching for being highly unintentionally amusing! 2ff7e9595c
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